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Kamis, 31 Desember 2015

Ebook Honey & Sulphur

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Honey & Sulphur

Product details

Paperback: 156 pages

Publisher: Carrion Blue 555 (February 12, 2019)

Language: English

ISBN-10: 0996276858

ISBN-13: 978-0996276856

Product Dimensions:

5 x 0.4 x 8 inches

Shipping Weight: 5.6 ounces (View shipping rates and policies)

Average Customer Review:

5.0 out of 5 stars

1 customer review

Amazon Best Sellers Rank:

#1,451,874 in Books (See Top 100 in Books)

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Minggu, 27 Desember 2015

Download Movie Palace Masterpiece: Saving Syracuse's Loew's State / Landmark Theatre

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Movie Palace Masterpiece: Saving Syracuse's Loew's State / Landmark Theatre

Product details

Hardcover: 78 pages

Publisher: Alfred Balk (November 1, 1998)

Language: English

ISBN-10: 0815681232

ISBN-13: 978-0815681236

Product Dimensions:

7.2 x 0.7 x 10.3 inches

Shipping Weight: 1.6 pounds (View shipping rates and policies)

Average Customer Review:

4.1 out of 5 stars

2 customer reviews

Amazon Best Sellers Rank:

#1,908,492 in Books (See Top 100 in Books)

Excellent. Very informative.

This work celebrates the exotically beautiful Loew's STATE theatre in Syracuse, NY, USA. The 78 pages of the ten inch high by seven inch wide publication constitute a booklet within hard covers which are entirely black with a gold stamped spine 3/8ths of an inch wide. It has a section of 16 color plates on glossy paper, but the remainder of the sewn-in pages is of standard matte book paper.Those who would review a book on a theatre are those who love theatres and look forward to each new effort, and the former STATE (now the LANDMARK theatre) is certainly one of architect Thomas Lamb's most wonderful works and deserving of praise, but, unfortunately, this "booklet" is not. While not every book on an individual theatre could be the Magnum Opus that is, for example, "FOX-The Last Word" about the fabulous San Francisco FOX, such books can be more than this amateurish paste-up. The author, Alfred Balk, lists himself as "Editor" because there really is no text, as one would expect of an authored work. He is a former magazine editor and a professor of journalism, yet we find no evidence of the scholarship that such credentials might suggest. Instead, the Editor, in conjunction with a Production Editor apparently from the Syracuse University Press, has assembled a small collection of photos and news clippings together with some captions to tell the theatre's story. Had each of these been exhaustive, they might possibly have delivered all the information a $25 hardbound might be expected to. Sadly, that is not the case. Mr. Balk as a member of their Board of Directors and Archivist has merely pasted up dozens of newspaper clippings interspersed with photos, the black and white ones being of poor quality on the matte book paper. Often the layout is a montage with one clipping photographed atop another! Not only is the reproduction quality poor making for difficult reading, but often the clipping is cut off wherever the editor wanted to conserve page space and the reader looks in vain for the rest of the item.Is this book about the notable architecture and decor of this famous movie palace? Not really. The 16 pages of color photos do help one gauge the exotic ambience of what remains after much restoration, and there are three full pages of black and white photos which suffer from the book paper. These together with five b/w photos and captions lifted from "Marquee" magazine of the Theatre Historical Society in Elmhurst, Ill. as well as two theatres books, are augmented only by four reproductions of the giant blueprints in much reduced size. Even at reduced size the blueprints are seen to be works of art in themselves but cry out to have been made as foldouts in larger size so that they could be fully appreciated. It is rather like trying to look at the "Mona Lisa" through a peephole. Since it is difficult to economically reproduce 3 by 4-foot blueprints in a book, then there should have been drawings in simplified form made from these to delineate all major facets of the theatre. This is commonplace for floor plans, but not one such is in the book - including no floor plan, which is vital to understanding a structure. This work does, however, make good use of its dust jacket where the front panel is a glossy, varnished color photo of the lobby and the back panel gives us the only view of the organ console in 1950, apparently in situ, but there is no caption about it. So, this is not an architectural work about this 2,900-seat performance hall.Is it a commercial history? Only in the most limited sense in that clippings are again intended to be the bulk of the text about the history of this house.What is the book about? Mostly the "Save-the-State" campaign and subsequent restoration efforts. Sixty-one of the 86 clippings and over half the pages reflect the names involved in these efforts and comments on their progress, the hard work of which volunteers is to be applauded! But the last paragraph of the Introduction gives its real raison d'etre when it states that they hope the book will stimulate support from many sources. Is your purchase price going to help the LANDMARK with financial support? They don't say.It might be mentioned that the full page photo of the stage switchboard by Westinghouse is a welcome exposition revealing the nine light groups for the auditorium, and 15 such for the stage, all in three colors and ten presets. It is a pity that they didn't key the house controls to numbers on a photo of the auditorium. Such illuminating detail is often overlooked in other books (pun intended).Is this "booklet" worth $25? Yes, if one has no other images of so mystical a theatre, but those who have other theatre books such as "Great American Movie Theatres" will see almost as much there, albeit not in color. If only this grant-funded book were the masterpiece that the theatre is!

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Senin, 21 Desember 2015

Ebook Download Unintended Consequences: Why Everything You've Been Told About the Economy Is Wrong, by Edward Conard

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Review

“A full-throated defense of economic dynamism. . .refreshing at a time when so many take the failure of capitalism for granted.”—The Wall Street Journal “Conard offers deep and well-argued analyses on almost every issue.”—The New York Times “One of the must-read books of the year.” —TYLER COWEN, Marginal Revolution “…the book, written by a former Bain partner, gives a good overview of the forces behind the financial crisis. It is far smarter and more thought-provoking than most economics written for the general public.”—GREG MANKIW, Professor of Economics, Harvard University, Former Chairman of the Council on Economic Advisors “There are an amazing number of good ideas and interesting points made in this book. The thinking underlying it, and the obvious depth of understanding of the author, are very impressive.”—STEVEN LEVITT, Coauthor of Freakonomics; 2004 John Bates Clark Medal Winner "Conard's contrarian chapter on the benefits of low taxation for the rich is powerfully written. It should be read by anyone who takes for granted the superiority of progressive taxation and has not thought carefully about the trade-offs involved."—The New Republic “Edward Conard provides a provocative interpretation of the causes of the global financial crisis and the policies needed to return to rapid growth. Whether you agree or not, this analysis is well worth reading.” —NOURIEL ROUBINI, Chairman, Roubini Global Economics “Edward Conard’s keen business insight and sharp eye on economic forces explain structural strengths and weaknesses of the American economy. While some of his proposed solutions are controversial, the U.S. economy can recover its mojo if policy makers understand Conard’s diagnosis.”—GLENN HUBBARD, Dean, Graduate School of Business, Columbia University; Former Chairman, President’s Council of Economic Advisers “Edward Conard’s book presents the most cogent and persuasive analysis of the financial crisis to date. It is deeper and likely more accurate than what we have seen so far from journalists, academics, and particularly former government officials.”—ANDREI SHLEIFER, 1999 John Bates Clark Medal winner; Former Editor, Quarterly Journal of Economics; Professor of Economics, Harvard University “This is a wonderful book, filled with wisdom by a guy who really knows what he’s talking bout. It is a must reading for both businessmen and politicians.”—JOHN C. WHITEHEAD, Former Chairman, Goldman Sachs & Co.; Former Deputy Secretary of State “Unintended Consequences will be the most talked about economic book in 2012. When Ed Conard points the spotlight at recent economic history, his uncanny ability to cut through the confusion provides something totally unexpected: a fresh, nonpartisan perspective on what is right and wrong with America.”—KEVIN HASSETT, Senior Fellow and Director of Economic Policy, American Enterprise Institute “Edward Conard has written a provocative and important book about the economy that challenges conventional wisdom about the financial crisis, the trade deficit, government policy, and the path to prosperity. I hope policy makers and business leaders will pay close attention to Conard’s framework.”—WILLIAM A. SAHLMAN, Senior Associate Dean, Harvard Business School “Virtually everyone who reads Unintended Consequences will feel the pain of knowing that we may never get EVERYONE to read it. The clarity of Edward Conard’s explana­tion of where we are, how we got here, and what we do now is profound.” —BILL BAIN, Founder, Bain & Company

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About the Author

Edward "Ed" Conard is the author of the New York Times top-ten bestselling book, Unintended Consequences: Why Everything You've Been Told About the Economy Is Wrong (2012). He is a visiting scholar at the American Enterprise Institute. Previously, he was a founding partner of Bain Capital, where he worked closely with his friend and colleague, former presidential candidate Mitt Romney. In May of 2012, Conard published Unintended Consequences: Why Everything You've Been Told About the Economy Is Wrong. The book was featured on the cover of the New York Times Sunday Magazine and went on to become a New York Times top ten non-fiction bestseller. Because of the publicity surrounding the publication of his book, Conard was the tenth most searched author on Google in 2012. Since its publication, Mr. Conard has made over 100 television appearances in which he has debated leading economists including Paul Krugman, Joe Stiglitz, Alan Kruger, Austan Goolsbee, and Jared Bernstein; journalists including Jon Stewart, Fareed Zakaria, Chris Hayes, and Andrew Ross Sorkin; and politicians such as Barney Frank, Howard Dean, and Eliot Spitzer. Prior to Bain Capital, Conard worked for Wasserstein Perella & Co., an investment bank that specialized in mergers and acquisitions, and Bain & Company, a management-consulting firm, where he led the firm's industrial practice. Conard has a master of business administration degree from Harvard Business School and a bachelor of science degree in engineering from the University of Michigan. For up-to-date information on Ed, visit the homepage: www.EdwardConard.com Become a fan of Ed on Facebook www.facebook.com/EdwardConard Follow Ed on Twitter www.twitter.com/EdwardConard Connect with Ed on LinkedIn http://www.linkedin.com/in/EdwardConard/  

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Product details

Paperback: 320 pages

Publisher: Portfolio; Reprint edition (April 30, 2013)

Language: English

ISBN-10: 1591846307

ISBN-13: 978-1591846307

Product Dimensions:

5.4 x 0.9 x 8.4 inches

Shipping Weight: 9.9 ounces (View shipping rates and policies)

Average Customer Review:

3.4 out of 5 stars

90 customer reviews

Amazon Best Sellers Rank:

#747,063 in Books (See Top 100 in Books)

Most interesting are the range of comments here. I never realized the how much open animosity there to to free markets, capitalism and risk taking by successful entrepreneurs. Who would you rather have in control of your lives, a company and business that is accountable to customers every day.. or a government that is completely unaccountable and continually looks to justify taking of an ever greater percentage of the wealth that we create? Free markets function without governments.. this independence is what creates fear... it also creates the regulatory- patronage system that corrupt and destroys our economy. The US should not take its dominant position as a given.. we have tremendous potential.. but that ECONOMIC potential can NOT be untied by a government.. it creates nothing.. it just consumes... The social potential of a people (similarly) should not be tied to a government...Isn't it odd that our modern technology and "contentedness" has enabled us to do so many more things locally... to simplify and create tremendous inefficiencies. Markets force performance, accountability and transparency. What part of the "progressive" machine resembles that? We can't even see what legislation looks like before it becomes law...

A VERY original take on the sources of prosperity in the early 2000s, and side effects of policies to stop the bleeding in 2008-9. Conrad is a bit obsessed with capital and innovation, but that is a good counterpoint to its scant treatment in mainstream economics. A worthwhile and contrasting companion to some of the journalistic and memoir accounts of the financial crisis, like Hank Paulson's ON THE BRINK, Tim Geithner's STRESS TEST, or Andrew Ross Sorkin's TOO BIG TO FAIL.

good review

Mr. Conard put an impressive amount of research and intellectual effort into this book. In short, he argues that innovation underwritten by risk capital increases society's wealth available to the upper, middle and lower economic classes. Actions that inhibit risk and innovation inevitably reduce overall U.S. wealth. The Great Recession has caused the U. S. to dial back the use of risk capital, which slows innovation, inhibits employment and reduces prosperity. He examines the arguments on taxation and income redistribution from all sides of the political and economic spectrum. Those of a socialist or liberal political persuasion will probably find the author's arguments unpersuasive and perhaps troubling; political conservatives will probably be more persuaded. He argues, for instance, that much of the wealth that innovation and risk create flow to the middle and lower economic classes. He further argues that excess consumption feeds the egos that drive the risk-taking that leads to innovation that increases the wealth available to society. While I am certain that some political viewpoints will react adversely to these arguments, I think any reader will have to concede that the intellectual breadth of the author's effort deserves respect.The sections of the book addressing the effects of technical regulatory changes and accounting interpretations on the Great Recession were enlightening. The author explains that these arcane regulatory and accounting matters had an unexpected influence on the market forces in the subprime loan debacle. He also discusses the political and market impulses that led to the Great Recession arising out of the misuse of subprime loans. His discussion of the political impulses behind these loans is fairly well known.Here are my criticisms of the arguments. He argues that the runs on banks in 2008 led to a series of political, social and regulatory actions that inhibit risk taking that slows innovation which is the primary way that the U. S. has grown its economy. When he talks about risk taking I believe that the author mainly means the financial industry, although he clearly recognizes that the financial industry deeply influences the wider economy. He forcefully makes the argument that bankers were not the only parties encouraging and benefiting from subprime loans. However, he does not address the argument that the financial industry by 2008, and probably even today, operates on a compensation model, not a business model. By this, I mean that many participants in the financial industry work very hard and take large risks in the hopes of substantial and immediate compensation because they do not necessarily expect to have a lengthy career in banking. Also, with the substantial underwriting of risk by the federal government, the financial industry essentially is playing with "house money," not their own funds. Certainly, as Mr Conard argues, bankers were not the only parties at fault; political actors also bear a great deal of fault in this fiasco. The challenge becomes how does one introduce more risk into both the financial and political spheres?My second criticism arises from the author's argument that offshoring manufacturing to China to take advantage of "seventy-five cent an hour labor" has lead to longer term prosperity. Underlying this argument is the assumption, which I believe is fairly well accepted in the field of economics, that any unemployed person can always find another job. This assumption seems flawed. While Mr. Conard makes an impressive argument that this trend over the last twenty-five or so years has increased the overall prosperity of this country,this prosperity may have come at the price of rendering many Americans largely unemployable. This issue probably lies outside the scope of this book, but perhaps Mr. Conard will apply the impressive work ethic and intellectual skills to this issue in a future book.I recommend the book highly and strongly recommend that you read it.

Yes, spot on!

Truly enjoyed!

I've been uneasy about our country's path but without any concrete understanding of "why". This book gave me an understanding of specifically what has been happening.

Many have tried to capture how the economy faltered and went into what we are calling the great recession. None have even come close to Ed Conard in the detail and factual support found in this book! Conard has expertly gotten to the core problems of current economic policy and proposed well thought out solutions. He has masterfully charted for us how economic polocy has unintended results because they are made with little thoughtto their long trem effects.

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