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Get Free Ebook Modernism and the making of the Soviet New Man

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Modernism and the making of the Soviet New Man

Get Free Ebook Modernism and the making of the Soviet New Man

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Review

"Vujosevic's Modernism and the Making of the Soviet New Man [...] argues for a history that transcends the opposition of the utopian and the real (or of noble dreaming and dismal totalitarianism) and exposes the complexity of the relationship between utopia and reality, idealism and pragmatism. [EL] Engaging, witty, and captivating, Vujosevic's book rivals fiction without losing the conceptual rigor of an academic work. [..] Excellent, and long needed, pedagogical resources and important scholarly contributions that mark a new step in writing the conflicted history of Russian architecture." - Alla Vronskaya, Illinois Institute of Technology, Slavic and East European Journal, Vol. 62, No. 2 (Summer 2018) "What is the relationship between utopia and reality ? And what role does space - broadly defined - play in answering that question ? These are the core subjects addressed in Tijana Vujosevic's intriguing new study of modernist expressions in architecture in 1920s and 1930s Soviet Russia. Her study is a welcome addition to a scholarly literature that tends to neglect architecture in favour of focusing on literature and the visual arts. With her fresh approach, Vujosevic demonstrates that ideas about space, and about how it can be used to recreate society, helped to define the New Soviet Person, first as a worker and then, as the 1920s gave way to the socialist-realist dominated 1930s, as a whole person." - Alison Rowley, Concordia University, RACAR, Vol. 43, No. 1 (2018) "What happened in the process of making Soviet culture after 1917? Modernism and the Making of the New Soviet Man is a brilliant foray into a fascinating field of study, one that it also helps to constitute. It brings together design history and theory and critical theory and the everyday life practices, from the heroic to the comical and absurd, which made up the invention of communist culture in the aftermath of the October Revolution. It combines utopianism of differing kinds and levels with the practical modernism which set out to operationalize Bolshevik, and then Stalinist culture." - Peter Beilharz, Curtin University, Thesis Eleven (October 2018)

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About the Author

Tijana Vujosevic is Assistant Professor at the University of Western Australia

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Product details

Paperback: 208 pages

Publisher: Manchester University Press; 1 edition (March 1, 2019)

Language: English

ISBN-10: 1526114887

ISBN-13: 978-1526114884

Product Dimensions:

8.4 x 0.7 x 5.4 inches

Shipping Weight: 9.9 ounces (View shipping rates and policies)

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Amazon Best Sellers Rank:

#5,830,922 in Books (See Top 100 in Books)

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An Introduction to Theological Anthropology: Humans, Both Creaturely and Divine

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About the Author

Joshua R. Farris (PhD, University of Bristol) is assistant professor of theology at Houston Baptist University in Houston, Texas. He is author of The Soul of Theological Anthropology and the coeditor of Christian Physicalism? and The Ashgate Research Companion to Theological Anthropology.

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Product details

Paperback: 336 pages

Publisher: Baker Academic (August 20, 2019)

Language: English

ISBN-10: 080109688X

ISBN-13: 978-0801096884

Product Dimensions:

6 x 9 inches

Shipping Weight: 1.1 pounds (View shipping rates and policies)

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Audible Audiobook

Listening Length: 8 hours and 40 minutes

Program Type: Audiobook

Version: Unabridged

Publisher: Penguin Audio

Audible.com Release Date: August 23, 2016

Language: English, English

ASIN: B01IIABQYC

Amazon Best Sellers Rank:

This looked like it had been a bestseller so I thought I'd try it. Although it was easy enough to read and had no bad grammar or typos, the style is very "flat" and reads more like stage directions than a novel. The author does more "telling" than "showing" if you know what that means. None of the characters are likeable or sympathetic, so the only suspense is to find out "who done it" -- and, again, I didn't care much, beyond mild curiosity. Also, there seemed to be a loose plot thread at the end, that was never explained. A key piece of evidence just seems to go away and the police ignore an obvious witness/suspect. There is also a final twist that the author must have thought would be shocking, but it seems like she had no other idea for how to end the story. If you want a quick read without deep emotional depth or artistic style, you might like it.

Marco and Anne are invited to a dinner party at the home of their next door neighbors Cynthia and Graham. They get a baby sitter for their baby daughter Cora. The sitter on the day of the dinner party cancels at the last minute. Anne really did not want to go to the party so she tell Marco that she will stay home with baby Cora. Marco somehow convinces her that they can both still go to the dinner party. All they have to do is every half hour one of them will go home and check on Cora, and they will also take the baby monitor.They stay later than Anne wanted to and when she goes to check on baby Cora the crib is empty. The police immediately suspect that one or both of them are involved in the disappearance of Cora. As they investigated they soon discover that both of them have secrets that they are not telling each other. Each time that I thought that I had figure out who took baby Cora I was wrong. Every chapter of this book brought more twists and turns. That kept me on the edge of my seat and turning the page to find out what was going to happen next. The ending is not to be missed

There were many good things in this novel; it was suspenseful, fast-paced and slightly unpredicable at times. The story and plot kept me engaged.The writing was mediocre. I found myself becoming frustrated with the "third person" style narrative. When the narration is something the reader repeatedly thinks about, it's probably not a good thing. Narration is something that shouldn't be noticed, but the way this book was written, I noticed it a LOT.There was not one likeable character, not one. It's hard to get excited about a book when you really don't care what happens to the characters. As for the plot, it wasn't anything new - quite predicable.Once everything comes together, the story becomes a bit nonsensical. There is no way the dad would get off scot-free. There are also several characters introduced that never get developed (the husband of the neighbor is one) as well as side stories that never get resolved. There are several loose ends, and that drives me nuts.I've not read anything by this author previously, and I probably wouldn't read another of her books. With that said, the book was good enough to be worth the time.

I read a lot of books, and really have trouble finding fiction that isn't the same old detective murder stories. I thought this was a great story with a lot of twists that I didn't see coming. It would be hard to talk about the book without giving some of the plot away, but it kept me reading, and was truly hard to put down. I usually read from 11 pm until about 1 am, then go to bed. I ended up staying up until about 2 am or later each night trying to find out what was going to happen next. I thought the book was very well written and easy to read. As soon as I finished it, I found another Shari Lapena book to start.

I hate books like this: no redeeming characters, surprising twists that aren’t really surprising at all, and dull, unimaginative prose. This just isn’t a good book.

The writing style is painfully simplistic. Subject-verb-object. Subject-verb-object. It seems 9 out of 10 sentences begins with a name."Marco sits down. Marco is tired. Marco is trying to think. Anne gazes out the window. Anne is sad. Anne and Marco sit in silence."That's not actually from the book, but it might as well be. It's as if the author has no formal education beyond grade school.The plot is not original by any means. The characters are shallow because they are all described in short, simple sentences. "Anne came from money. Marco did not."I can't believe I paid $13 for this book. Not worth it.

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